白茆山歌与虞山派古琴、锡剧、苏州弹词音乐的关联分析  

An Analysis of the Relation between Baimao Shan’ge and Yushan Guqin,Xiju Opera and Suzhou Tanci Music

作　　者：王小龙[1] WANG Xiaolong(School of Humanities,Changshu Institute of Technology,Changshu 215500,China)

机构地区：[1]常熟理工学院人文学院

出　　处：《常熟理工学院学报》2019年第6期111-116,共6页Journal of Changshu Institute of Technology

基　　金：江苏省高校哲学社会科学项目“施聂姐的吴歌研究”(2015SJB571);文化部艺术研究项目“严天池存世著述研究”(16DD28);江苏省优秀高校哲社创新团队项目“苏南方言与口头非物质文化遗产的调查与研究”(2017ZSTD015)

摘　　要：白茆山歌是白茆塘流域通行的传统吴歌,千百年来与该地区的其他民间音乐品种互动共生。本文撷取常熟虞山派古琴、锡剧、苏州弹词的音乐曲调及相关史料,分析白茆山歌与周边地区其他音乐艺术品种的关联,彰显白茆山歌对吴地音乐文化品种的辐射力、影响力。Baimao Shan’ge is a traditional Wu Song popular in the Baimaitang Basin,which has nourished other folk music varieties in the area for thousands of years.This paper collects the music tunes and related historical materials of the Yushan Schools of Changshu,such as Guqin,Xiju and Suzhou Tanci,in order to study the relation between Baimao Shan’ge and other music and art varieties in the surrounding areas,and to show the radiation and influence of Baimao Shan’ge on music and culture.

关 键 词：白茆山歌 虞山琴派 《良宵引》 锡剧 老簧调 俞调 虞调 

分 类 号：J64[艺术—音乐]