首饰材料审美化在设计中的应用与研究  

APPLICATION AND RESEARCH OF JEWELRY MATERIAL AESTHETICS IN DESIGN

作　　者：陈嘉慧 CHEN JIAHUI

机构地区：[1]北京服装学院服饰艺术与工程学院

出　　处：《设计》2019年第17期22-25,共4页Design

摘　　要：把握佩戴者的心理,让首饰材料更好地表达佩戴者的审美体验。在首饰材料研究过程中引入审美知觉,通过分析杜夫海纳审美知觉中主客体统一这一原理中主客体之间的关系与作用,把佩戴者与首饰材料带入该原理中,把握佩戴者心理。得到四个年龄阶段人群对首饰材料的审美知觉。首饰设计师的设计理念和当下越来越多的人注重首饰的内在意义、与带来的首饰审美体验、共同推动了首饰材料的多样化。基于杜夫海纳的审美知觉的研究,把佩戴者与首饰材料带入审美知觉与审美对象的研究之中,把握佩戴者的审美知觉,为首饰设计提供多种材料的参考。To grasp the wearer's psychology and make jewelry materials better express the wearer's aesthetic experience.Aesthetic perception was introduced into the research of jewelry materials,and the relationship and function between subject and object in the principle of subjectivity and object unity in Dufrenne's aesthetic perception were analyzed to bring the wearer and jewelry materials into the principle and grasp the wearer's psychology.The aesthetic perception of jewelry materials in four age groups was obtained.The design concept of jewelry designers and the fact that more and more people pay attention to the intrinsic meaning of jewelry and the aesthetic experience of jewelry together promote the diversification of jewelry materials.Based on the study on the aesthetic perception of Dufrenne,the author brings the wearer and jewelry materials into the study of aesthetic perception and aesthetic objects,grasps the wearer's aesthetic perception,and provides a reference for jewelry design for a variety of materials.

关 键 词：首饰材料 审美知觉 主客体统一 情感 心理暗示 

分 类 号：J524[艺术—艺术设计]