从身体经验到时代悲歌：论萧红文学书写中的“冷”  

Body Experience and Philosophical Expressions: On the Coldness in Xiao Hong’s Literary Writing

作　　者：历伟 LI Wei(Research Center of Cross-strait Language Application and Narrative Culture,School of Humanities and Journalism,Xiamen University Tan Kah Kee College,Zhangzhou 363105,Fujian,China;Chinese Department,Fudan University,Shanghai 200433,China)

机构地区：[1]厦门大学嘉庚学院人文与传播学院两岸语言应用与叙事文化研究中心 [2]复旦大学中文系

出　　处：《铜仁学院学报》2019年第5期48-54,共7页Journal of Tongren University

基　　金：中国博士后科学基金面上一等资助(2018M630391)

摘　　要：学界对萧红及其作品的细部考察已较为整全,但对贯穿其文学创作和思想活动的重要载体——“冷”意象的系统研究却仍有推展空间。萧红在创作活动中对“冷”意象的自觉调用,无疑与东北地区特殊的气候条件对主体经验的密切笼罩相关;而20世纪40年代,萧红能将“冷”之意象缝缀进入“社会问题”书写之中,最终在《呼兰河传》中实现哲学层面之“冷暖”对照的系统表达则与家国话语的渗透休戚相关:我们发现,繁复的“冷”之意象结构在形成其独异文风的同时,还昭示着萧红超越身体经验后对国族时代命题的深刻回应。Among modern Chinese writers,the studies of Xiao Hong and her writings have great concerns,but those coldness images that penetrating in Xiao Hong’s works are not fully mentioned.The extremely cold weather in northwestern China is the inspiration of Xiao Hong’s conscious“cold writing”.In the 1930s,from the national parole perspective,Xiao Hong connect her coldness images to social situation.And at last,she systemized the coldness in a philosophic level at the Tales of Hulan Rive.The multi-level coldness images structure in Xiao Hong’s writings are closely attached to her life experience and literary view.

关 键 词：萧红 “冷”意象 身体经验 国族命运 生命哲学 

分 类 号：I206.6[文学—中国文学]