作为气氛的美——立足于G.伯梅的“新美学”  

Atmosphere as Beauty: A New Aesthetics Based on Gernot B?hme

作　　者：立野良介 崔莉(译)[2] Tatsuno Ryosuke;Cui Li

机构地区：[1]日本成安造型大学 [2]湖北第二师范学院外国语学院

出　　处：《德国哲学》2018年第2期219-241,251,共24页Chinese Journal of German Philosophy

摘　　要："气氛"是伯梅美学中的一个基础概念,立足于伯梅的美学观点,可以对作为气氛的美做出全新阐释:美是一种气氛,它既不存在于主观也不存在于客观,我们通过身体中情态性的变化感知到气氛;美的气氛对身体的情态性所产生的影响在于它能够提高生命情感,带来愉悦;美的气氛尤其被理解为一种"明确在场的气氛"。在此基础上,自然、日常生活与艺术、人类的美都会带上不同于我们通常理解的含义。Atmosphere,as a foundamental concept in Gernot B9 hme’s aesthetics,on which it can develops a kind of newinterpretation and understanding of beauty. That is,beauty is some kind of atmosphere,which rest in something neither subjective nor objective,but a particular circumstance( Befindlichkeit),into which we are put by throught a bodily-perception change. Atmophere as beauty can prove our emotional life and bring pleasure to us. It should be understood as a kind of "atmosphere of presence exactly ",on which,nature,everyday life,art and the beauty of the mankind can all be given some more connotations than that in our usually understanding.

关 键 词：气氛 美 情态性 愉悦 

分 类 号：G63[文化科学—教育学]