中国诗学的春天  

The Spring of Chinese Poetics

作　　者：李衍柱[1] LI Yanzhu

机构地区：[1]山东师范大学

出　　处：《中国矿业大学学报（社会科学版）》2019年第6期106-115,共10页Journal of China University of Mining & Technology(Social Sciences)

摘　　要：在中国文艺理论领域,王国维既是传统诗话、词话的终结者,又是中国现代诗学的开创者。王国维之后的中国诗学,形成了以朱光潜、宗白华、钱锺书为代表的三条不同建设路径。新中国成立70年来的文艺创作和诗学研究的实践表明,文艺创作和诗学研究需要解放思想、破除迷信,应当肯定人的价值与尊严,需要更新文学观念和变革研究方法,应关注网络思维和网络文学的发展变化。In the theory of Chinese literature and art, Wang Guowei is both a terminator of traditional Chinese poetry and Ci poetry,and an inaugurator of modern Chinese poetics. After Wang Guowei, three different construction paths of Chinese poetics represented by Zhu Guangqian, Zong Baihua and Qian Zhongshu were formed. The practice in the past 70 years since the founding of the People’s Republic of China indicated that to promote literary and art creation as well as the poetics research, we need to emancipate our mind and break the superstitions, affirm the value and dignity of people, refresh the views on literature, change the research method, and focus on the development as well as changes of network thinking and network literature.

关 键 词：中国诗学 朱光潜 宗白华 钱钟书 人的价值与尊严 网络思维 网络文学 

分 类 号：I200[文学—中国文学]