新中国主流美术谱系——以全国美展美术门类的变迁为中心  

The Genealogy of Chinese Fine Art Since 1949:A Research Focused on the Categories of National Art Exhibition

作　　者：屈波[1] 

机构地区：[1]四川美术学院

出　　处：《美术》2019年第11期98-101,97,共5页Art Magazine

摘　　要：全国美展是新中国主流美术最重要的展示平台之一.在新中国的全国美展体系中,美术门类的设置几经变迁,各门类的存续、变化、退出和新增,反映了主流美术不同阶段的发展状态.新中国主流美术的发展嬗变与全国美展美术门类的兴衰更替同步.主流美术谱系的建构与重构,在全国美展的门类流变中得以具体化.The national art exhibition is one of the most important platforms for displaying the mainstream of new Chinas art.As to the system of the national art exhibition,the categories of arts have undergone several changes,and the situations of the mainstream art at different stages are convincingly reflected by adjustments to the categories of exhibition.The evolution and development of the mainstream of Chinese art since 1949 keep pace with the rise and fall of the art categories of national art exhibitions,that is to say,the construction and reconstruction of the mainstream arts,in genealogical sense,is embodied in the adjustment and evolution of the categories of national art exhibitions.

关 键 词：新中国主流美术 全国美展 美术门类 

分 类 号：J209[艺术—美术]