《金银岛》：新式海盗传奇中的自由与秩序  

Treasure Island: Freedom and Order in a New Romance of Piracy

作　　者：管南异[1] Guan Nanyi(the School of International Studies,Hangzhou Nonnal University,Hangzhou 311121,China)

机构地区：[1]杭州师范大学外国语学院

出　　处：《外国文学研究》2019年第5期112-122,共11页Foreign Literature Studies

基　　金：国家社科基金项目“英国维多利亚晚期小说中的语言危机意识研究”(19BWW057)~~

摘　　要：学术界关于《金银岛》的研讨存在着"自由"与"保守"之争。这一对立可以在文类的视野内得到统一:作者斯蒂文森自觉利用了传奇文学策略中向往自由与向往秩序并存的双重倾向,在小说的想象中让现存秩序吸纳了具有反叛精神的社会活力。小说创造了一群在凶恶和狡诈的同时活力充沛、富有童心,又具有秩序感、渴望成为绅士的新型海盗形象,并将他们与英国的民族传统联系起来。一直穿梭于海盗与绅士之间的小说主人公吉姆既遵从绅士的秩序,又吸收了海盗的活力,成长为有活力的秩序的象征,从而能够应对一个急剧变化中的世界。作品所创造的复杂人物和结尾处的疑虑和不安,则打破了传奇的固有传统,使其具有了现代特色。Treasure Island has been studied in both liberal and conservative lights. Such a disparity might be reconciled from the perspective of its genre. By consciously exploring the double inclinations toward freedom and order within the literary tactics of "romance", Stevenson integrates the existing social order with the rebellious social vitality in the imagination of his novel. What he portrays in the novel is a new type of pirates, who, beneath their usual ferocious and devious appearance, are actually playful, boyish, orderly, and anxious to become real gentlemen. He even draws their certain connection with the national tradition of England. Jim, the protagonist in the novel who serves as a constant link between the pirates and the gentlemen, is able to respect the gentlemen’s order and absorb the vigor from the pirates as well. Eventually, he turns into a symbolic figure of both and a figure who could cope with a rapidly changing world. In addition, given the portrayal of complicated characters, along with the ambiguous and uneasy ending, the novel seems to have broken up the long-standing tradition of "romance" and taken on some modern characteristics.

关 键 词：《金银岛》 传奇 海盗 童心 秩序 现代 

分 类 号：I20[文学—中国文学]