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作 者:高强[1] GAO Qiang(College of Arts,Southwest University,Chongqing 400715,China)
机构地区:[1]西南大学文学院
出 处:《学术探索》2019年第11期151-156,共6页Academic Exploration
基 金:中央高校基本科研业务费专项资金资助项目(SWU1709479);中央高校基本科研业务费专项资金资助项目(SWU1709103)
摘 要:在沈从文笔下,乡下人的着装总是朴素淡雅的,作者对这种服饰和穿着这种服饰的人满怀热爱。与乡下人的简朴着装不同,城里人总是一副时髦洋化的装扮,而这与他们的猥琐、庸碌、不真实又是互为一体的。城乡的不同服饰样貌实乃表征着沈从文隐秘的身份观念,由此出发,通过对沈从文进行某种“知识考古学”的梳理,可以窥见被深情讴歌的“原乡”是沈从文努力想逃离的社会,那个被他极力贬斥的城市却是他竭力想进入的场域。结果,对沈从文而言,“原乡”实是他乡,他乡却为“梦乡”。In Shen Congwen’s works,the dress of the country people is always simple and elegant and the author is full of love for this kind of dress and the people who wear it.Different from the simple dress of the country people,the city people are always dressed in a fashionable and foreign style,which is integrated with their obscene,mediocre and untrue nature.The appearance of different costumes in urban and rural areas in the works actually represents the author’s secret concept of identity.By sorting out his works from the perspective of knowledge archaeology,it is found that the“hometown”eulogized by the author turns out to be a society he had tried to escape from,but the city he strongly denounces is actually his dreamland,a place he had tried hard to enter.
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