民国女性自杀的形象建构——以“奇女子”余美颜之死为例  

Construction of Images of Female Suicides in the Republic of China Period:A Case Study of Yu Meiyan

作　　者：关佩 GUAN Pei

机构地区：[1]上海大学文学院历史系

出　　处：《五邑大学学报（社会科学版）》2019年第4期60-64,92,共6页Journal of Wuyi University(Social Sciences Edition)

摘　　要：民国时期,“奇女子”余美颜蹈海一事曾引发各界对于个人解放和社会改造问题的广泛讨论。在媒体的持续报道下,余美颜的形象渐由受人非议的怪诞“奇女子”转为惹人怜惜的礼教“牺牲者”,再到广受褒扬的民国“新女性”,几经变化。从中可以看到新旧观念在同一场域的交锋、碰撞,亦可窥见社会转型时期人们思想的转向。During the period of the Republic of China,the death of Yu Meiyan triggered off extensive discussions on the issues of personal liberation and social transformation by people from all walks of life.Under the continuous media coverage,Yu Meiyan's image underwent several changes,from a reproached weird woman to the pitiable"victim"of feudal ethical code,and then to the widely praised"new woman".The process not only reveals the confrontation and collision between the old and the new ideas in the same field,but also provides a glimpse into the change in people's thinking in the period of social transformation.

关 键 词：余美颜 自杀 个人解放 社会改造 形象建构 

分 类 号：K25[历史地理—历史学] K26[历史地理—中国史]