抗战语境中墨家文化的亲和与“故事新编”的微调：也论《非攻》  

The Affinity for Mohism in Context of Anti-Japanese War and the New Changes of “Old Tales Retold”:A Study of Opposing Aggression

作　　者：龙永干[1] 郑国友[1] LONG Yonggan;ZHENG Guoyou(Hunan First Normal University,Changsha,Hunan 410215)

机构地区：[1]湖南第一师范学院

出　　处：《中国文学研究》2019年第4期143-148,共6页Research of Chinese Literature

基　　金：湖南省社会科学规划课题“生存空间视域下鲁迅后期思想和创作研究”(18YBA090)

摘　　要：《非攻》是鲁迅上海时期"故事新编"式创作的继续。但鲁迅之所以选择墨子和墨家作为表现对象,是墨子人格和墨家文化魅力的召唤,也是残酷抗战语境中树立典范、正向引领的需要。与《故事新编》其他篇章不同,《非攻》不仅极为借重本事,在文学想象与激情投射上也较为节制,因而整个作品呈现出朴素本色之美。这种情形是鲁迅在因缘和合中的调整,而非"故事新编"的改弦易撤。Opposing Aggression is the continuation of Lu Xun’s new story creation of "Old Tales Retold"style when he was in Shanghai. The reason why Lu Xun chose Mozi as his object of expression is the summon of Mohism and Mozi’s charming personality.It is also the need to set up a model and lead the way in the context of the cruel War of Resistance against Japan. Unlike the previous works,Opposing Aggression has its natural beauty. It not only takes great advantage of its ability, but also controls its literary imagination and passion projection,so the whole work presents the beauty of simplicity. However,this situation is Lu Xun’s adjustment in the harmony of fate rather than the change of"Old Tales Retold."

关 键 词：鲁迅 《非攻》 墨子 抗战语境 

分 类 号：I206.6[文学—中国文学]