扬雄的文学思想与辞赋书写  

Yang Xiong’s Literary Thoughts and His Writing of Ci and Fu

作　　者：熊良智[1] XIONG Liang-zhi(College of Liberal Arts,Sichuan Normal University,Chengdu,Sichuan 610066,China)

机构地区：[1]四川师范大学文学院

出　　处：《四川师范大学学报（社会科学版）》2019年第6期135-142,共8页Journal of Sichuan Normal University(Social Sciences Edition)

摘　　要：扬雄将文学思想付之创作实践,在辞赋书写中体现了他的文学理论命题。哪怕就是他悔赋而"辍不复为",也表现的是对辞赋创作的反思,对文学关注现实、讽喻现实作用的追求,体现了他的文学自觉意识。作品现实题材的选择,亲自经历事件的叙写,体现"事以为尚"基础上的文质相副、事辞相称,由他开始的纪实、纪行的辞赋书写方式,不仅体现了扬雄"其事则述""其书则作"的创作精神,也反映了汉代大赋创作由凭虚转向征实的新特点。Yang Xiong puts his literary thoughts into practice by putting his literary theory proposition in his writing. Even if he is remorseful and "returns to nothing", he also expresses his reflection on the creation of Ci and fu. His pursuit of literary attention to reality and of the role of satirical reality embodies his literary consciousness. The selection of the realistic theme of the work, narration on personal experience, the accordance between content and form, content and diction, as well as the documentary and literary writing style that began from him reflect Yang Xiong’s creative spirit and the new characteristics of Fu creation of the Han Dynasty.

关 键 词：扬雄 文学思想 辞赋书写 

分 类 号：I206.2[文学—中国文学]