论《山本》中的审丑艺术  

On the Ugliness Appreciation Art in Yamamoto

作　　者：陈娟娟 Chen Juanjuan(School of Literature,Shaanxi University of Technology,Hanzhong 723001,China)

机构地区：[1]陕西理工大学文学院

出　　处：《石家庄铁道大学学报（社会科学版）》2019年第4期60-63,93,共5页Journal of Shijiazhuang Tiedao University（Social Science Edition）

摘　　要：贾平凹的长篇小说《山本》,通过对秦岭涡镇荣辱兴衰的描写表现了中国20世纪二三十年代的复杂历史变迁,以书写战争贯穿全文。人性的卑俗与丑陋、血腥的杀戮、死亡的暴烈与凶残成为作品着意表现的对象,展示出作者独特的审美观念,即贾平凹把丑的东西剖析给人看,以此揭示历史与人性的真实,使人感受到历史与现实的复杂性和深广度,从而给读者带来更加广阔的阅读视野和更加深沉的审美体验。Jia Pingwa’s novel Shanben shows the complex historical changes of China in the 1920 s and 1930 s by describing the rise and fall of honor and Disgrace in Vortex Town of Qinling Mountains. Therefore, the vulgarity and ugliness of human nature, the bloody killing, the violence and cruelty of death become the objects of the works. This clearly shows the author’s unique aesthetic concept, that is, Jia Pingwa’s analysis of ugly things to show people, in order to reveal the truth of history and human nature, make people feel the complexity and depth of history and reality, thus bringing readers a broader reading horizon and deeper aesthetic experience.

关 键 词：贾平凹 《山本》 审丑艺术 

分 类 号：I105[文学—世界文学]