爱丽丝故事的物质性更迭  

The Material Transformation of the Alice Story

作　　者：朱欣慰 Zhu Xinwei(Department of English,School of Foreign Studies,Beijing Forestry University,Beijing,China)

机构地区：[1]北京林业大学外语学院英语系

出　　处：《外国文学》2019年第6期145-152,共8页Foreign Literature

基　　金：中央高校基本科研业务费专项资金(BLX201832)

摘　　要：《爱丽丝漫游奇境记》于1865年在伦敦出版之后被多次改编成文学作品、剧场演出、音乐剧、电影、漫画、电脑游戏等各种形式。本文以手稿《爱丽丝地下奇遇记》、插图书《爱丽丝漫游奇境记》和两部电影《奇境中的爱丽丝》(1903)和《爱丽丝》(1988)为例,考察爱丽丝故事自19世纪60年代至20世纪80年代的物质性更迭。不同的爱丽丝故事具有不同的物质性,但都起着连结人与故事、人与人的作用,也都呼应着该故事中有关"变化"与"生成"的母题。Alice's Adventures in Wonderland was published in 1865 in London and has been adapted into various forms in different media,including literature,theatrical performances,musicals,graphic novels,films,and computer games.In the manuscript Alice's Adventure Under Ground,illustrated book Alice's Adventures in Wonderland and films including Alice in Wonderland(1903)and Alice(1988),the lasting and changing materialisation of the Alice story connects the text with people and develops certain relationship between the author and the reader(s).The Alice story has been transformed by the media technologies since the 1860 s,while its transformations echo the themes of"changing"and"becoming"in the story.

关 键 词：《爱丽丝漫游奇境记》 查尔斯·路德维奇·道奇森 卡罗尔 物质性 

分 类 号：I561[文学—其他各国文学]