四百年“离乡路”：西方风景画之现当代转型和“自然”观念变迁  

Four hundred Years of "Away from the Countryside":the Modern and Contemporary Transformation of Western Landscape Painting and the Change of "Nature" Concept

作　　者：苏阿嫦[1] SU Achang

机构地区：[1]广西艺术学院美术学院

出　　处：《艺术探索》2019年第6期90-95,共6页Arts Exploration

基　　金：2015年广西艺术学院科研处资助艺术基础理论类一般课题“全球视野凝视下的广西风景画创作现象及理论研究”（YB201518）

摘　　要：西方风景艺术一直是人类看待自然、反观自己的一面镜子。文艺复兴以来,艺术门类中风景画的概念随之兴起,历经了17世纪风景画独立形成、18世纪“如画美”观念的提出与介入、19世纪西方城市的出现,而真正的“自然”在景观社会的营造过程则呈现出与都市若即若离的矛盾关系。20世纪的艺术家们意识到自然与人类密不可分且值得挖掘与呈现的重要关系之后,通过作品再次展现了自风景画独立以来不一样的当代解读。Western landscape art has always been a mirror of human beings looking at nature and reflecting on themselves.Since the Renaissance,the concept of landscape painting has risen in the art category.It has undergone the independent formation of landscape painting in the 17th century,the introduction and intervention of the concept of“Picturesque Painting”in the 18th century,the emergence of western cities in the 19th century.However,the real“nature”has shown a contradiction between the city and the city in the process of creating a landscape society.Artists in the 20th century realized that nature and human beings were inseparable and worthy of deeply thinking and presented important relationships,the works once again show a different contemporary interpretation since the independence of landscape painting.

关 键 词：自然 风景画 转型 观念 

分 类 号：J0[艺术—艺术理论]