性别视角下的迪士尼改编《木兰》之考辨  

An Analysis of Mulan Adapted by Disney from a Gender Perspective

作　　者：林丹娅[1] 张春 Lin Danya;Zhang Chun

机构地区：[1]厦门大学中文系

出　　处：《南开学报（哲学社会科学版）》2019年第6期156-163,共8页Nankai Journal:Philosophy,Literature and Social Science Edition

摘　　要：好莱坞迪士尼公司致力打造公主系列动画及真人电影,从早期的柔弱无力、等待拯救的白雪公主到拥有魔法、姐妹互救的冰雪女王,构建了一系列女性形象及性别关系,其中便有取材于中国故事的《木兰》。该片经历了从动画版到真人版的改编,除了全球性娱乐商业价值之外,还需要辨析的是,迪士尼公司是如何吸纳并改编基于中国古代男权话语体系的花木兰传奇,其话语策略所产生的利弊效果以及所带来的启示,这将有助于我们运用传统文化资源进行性别新文化话语的建构。The Walter Disney Company at Hollywood has produced a series of cartoon and live action movies with princesses as key figures, from the character Snow White to the Snow queen in Frozen. A series of female images and gender relations have been constructed. Among them, Mulan from a Chinese Story is also one of them. This movie first appeared as a cartoon movie and was then adapted as a live action movie. In addition to its business value in the global entertainment industry, what should be discussed is that how the Disney Company has accepted and adapted a Chinese tale about Hua Mulan based on the discourse of ancient Chinese patriarchy. What are the advantages and disadvantages of this discourse strategy? What implication does it have? Such discussion will help us to construct a new gender culture discourse with the cultural resources of Chinese tradition.

关 键 词：“迪士尼公主系列” 花木兰 女性话语 东方主义 

分 类 号：G63[文化科学—教育学]