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作 者:路成文 Lu Chengwen(School of Humanities,Huazhong University of Science&Technology,Wuhan 430074)
机构地区:[1]华中科技大学人文学院中文系
出 处:《华中师范大学学报(人文社会科学版)》2019年第6期139-148,共10页Journal of Central China Normal University:Humanities and Social Sciences
基 金:国家社会科学基金项目“中国古代咏物文学研究”(08CZW012)
摘 要:宋代咏物词彬彬大盛。宋词咏物风尚的形成与演进,与早期词体娱乐应歌的文化功能有关,与宋初词人尚雅新风有关,与词人对于词艺词法的主动探求有关,也与咏物题材本身适宜于体物炼艺有关。但归根到底,宋词咏物风尚至宋末而趋于极盛,与特定时势下中国古代文学抒情言志、托物寄意深厚传统的重新激发有密切关系。The Song Dynasty witnessed the prosperity of Ci poems on objects. The formation and development of Ci poems on objects in the Song Dynasty was related not only to the recreational function of the Ci poems on objects in its early stage of development, but also to the elegant aesthetic interest and artistic skills pursed by the writers of Ci poems, and so on. Furthermore,the reason that Ci poems on objects tended to be extremely prosperous until the end of the Song Dynasty was closely related to the re-stimulation of the lyric tradition of ancient Chinese literature under specific circumstances.
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