论“美的感官”在十八世纪英国美学中的价值与地位  

The Significance of “Sense of Beauty”in Eighteenth-century British Aesthetics

作　　者：李家莲[1,2] 雷云峰 Li Jialian;Lei Yunfeng(School of Economics,Zhejiang University;School of Philosophy,Hubei University)

机构地区：[1]浙江大学经济学院 [2]湖北大学哲学学院,430062

出　　处：《文艺理论研究》2019年第5期178-186,共9页Theoretical Studies in Literature and Art

基　　金：国家社科基金一般项目“当代西方情感主义伦理思想研究”[项目编号:15BZX095]阶段性研究成果~~

摘　　要：以"美的感官"为核心概念,十八世纪的英国美学家沙夫茨伯里和哈奇森发展出的内感官理论是十八世纪英国美学不可忽视的重要内容,然而,由于语言与文化的差异,国内美学对"美的感官"概念以及由此而发展起来的内在感官理论的了解度和接受度均不高。通过聚焦于"美的感官"概念,本文试图对它在十八世纪英国美学思想史上走过的生命历程进行宏观描述,并对它的美学价值及其在英国乃至西方美学思想史上所拥有的独特地位进行评价,以期为中国美学基本理论建设提供些许参照。Centering on "sense of beauty," the inner sense theory developed by Shaftesbury and Hutcheson is highly significant to eighteenth-century British aesthetics. However, due to linguistic and cultural differences, these two concepts have not been well received by the Chinese intelligentsia. By focusing on "sense of beauty," this paper aims to delineate the concept’s development in eighteenth-century British aesthetics and evaluate its academic significance in the history of Western aesthetics, with the purpose of supporting the theoretical construction of contemporary Chinese aesthetics.

关 键 词：美的感官 内感官 十八世纪 英国美学 西方美学 

分 类 号：G63[文化科学—教育学]