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作 者:曾笑鸣[1] 刘嘉[1] Zeng Xiaoming;Liu Jia
机构地区:[1]北京电影学院声音学院
出 处:《电影艺术》2019年第6期105-110,共6页Film Art
基 金:北京市教委科研计划一般项目“从‘无形’到‘有型’——电影声音造型研究”结项成果之一(批准号:SM201310050003)
摘 要:太空探险片是人类对自身和未来、对科技发展和社会形态变化深入思考后产生的理性幻想。在探索电影形式的实验性和声画处理的新手法方面,太空探险片可谓得天独厚。声音对该类影片场景的真实性还原与超越,以及对观众心理认同感的建构.满足了人们对太空科幻题材的猎奇心和探索欲。类型化的叙事特点、特殊的声场环境,以及声画在横向(空间运动)与纵向(空间层次)上的相互关系,显示出了太空探险片声音在科学立场下实现艺术表达的可能性和独特性。As a popular type of science fiction films in genre films, Space expedition film is the rational fantasy generated by human beings based on the realistic spirit and humanistic spirit. It is also uniquely suited to explore new approaches for experimental film form and the combination of sound and picture. Film sound not only restores and transcends the authenticity of the space scene, but also constructs the psychological identification of the audience, which satisfied people’s curiosity and desire to explore space films. Depending on the relationship between sound and pictures in both transverse(time) and longitudinal(space) ways, this paper combines the special sound field environment, sound elements and narrative features, mainly discussing the representational formation of sound and techniques of sound editing in space expedition films, summarizing how to realize the possibility and peculiarity in artistic expressions of sound under the scientific standpoint.
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