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作 者:佐藤忠男 杨远婴[1] 晏妮 Yang Yuanying;Yan Ni
机构地区:[1]北京电影学院
出 处:《电影艺术》2019年第6期140-145,共6页Film Art
摘 要:佐藤忠男有意识地与学院化的写作方式保持着距离,其写作致力于贴近鲜活的电影创作过程、电影历史现象,以深入简出的笔触描述日本乃至亚洲、世界的电影文化。佐藤以旺盛的研究/教育精力和高产的成果而著称。本访谈分为两个板块,第一部分关于日本电影历史与现状,第二部分关于佐藤忠男本人的学术生涯回顾。对于大众流行作品中的严肃思想、日本与世界各国的电影文化交涉、影评人的使命等话题,佐藤真诚分享了他独特的见解。As known as one of the most senior film critics in Japan,Sato Tadao can be called the-living fossil"of Japanese film study.However,he is always keeping a certain distance with scholastic writing.His works hammer at vivid film production process and film history,explaining profound thoughts in simple terms,referring to Japanese and even global film culture.Sato is famous with his vigorous creativity in writing and educating,as well as his high production.This interview includes two parts:1、the past and present of Japanese Film;2、Sato Tadao's experience about his film-study career.Around such topics as serious ideas in popular films,the communication on film culture between Japan and other countries,the mission and duty of film critic,etc.Sato Tadao shared his insights sincerely.
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