论生态电影中的审丑  

On Appreciation of the Ugly in Eco-films

作　　者：王坤宇 Wang Kunyu

机构地区：[1]重庆师范大学文学院 [2]美国佛蒙特大学

出　　处：《鄱阳湖学刊》2019年第5期85-90,127,共7页Journal of Poyang Lake

基　　金：国家社科基金艺术学西部项目“中国生态电影的类型化研究”（17EC232）

摘　　要：丑的意象和境界是生态电影重要的表现对象和叙事因素。生态电影展示的丑包括自然之丑和人为之丑。自然之丑的影像显现,一方面冒犯着接受者既有的审美定式,另一方面又呈现一种完整的自然和环境。人为之丑指向的是人类对自然的破坏和人的自我异化。通过对生态之丑的影像显现,人类有可能更深地认识生态整体主义的内涵,拓展生态感知的领域,深化生态理性,从而完成对生态问题的反思。Ugly images and settings are important subjects and narrative factors of eco-films.The ugliness of eco-films includes the ugliness in nature and that caused by man.On one hand,the cinematic ugly images of nature offend the recipient’s inherent aesthetic views and on the other hand present a complete picture of nature and environment.The man-made ugliness is directed to human destruction of nature and human self-alienation.Through the images of the ugly in eco-films,human beings may have a deeper understanding of the connotation of eco-holism,expand the field of ecological perception,deepen ecological rationality,and finally reach the state of reflecting on ecological issues.

关 键 词：生态电影 生态审丑 生态理性 

分 类 号：G63[文化科学—教育学]