《阿凡达》的生态身份认同探究  

An Inquiry into the Ecological Identity in Avatar

作　　者：唐梅花 Tang Meihua

机构地区：[1]闽南师范大学

出　　处：《鄱阳湖学刊》2019年第5期91-98,127,128,共10页Journal of Poyang Lake

基　　金：教育部人文社会科学重点研究基地重大项目“生态批评的理论问题及其中国化研究”（19JJD750005）;天津市哲学社会科学一般项目（TJWW17-001）;闽南师范大学校长基金项目（SK18015）

摘　　要：生态批评的处所理论对自然处所与人的自我身份认同之关系的论述,拓展了传统意义上的身份认同理论的批评空间,发展出一种生态的自我认同观。这种自我认同观超越了种族和文化的限制,强调从生态角度来确认自我的身份。生态电影《阿凡达》中男主人公杰克的身份认同历程,是从重新主宰自己的身体以迈出自我认同的第一步,接着进入生态认同的区域潘多拉星球,再到遭遇身份认同的危机以致陷入身份认同的困境,最后在生态处所中完成最终的身份认同。这一历程传达了人类只有在生态处所中才能真正确证自我的身份认同观,表达了人类应该敬畏自然、爱护家园的生态主题,同时也蕴含着对人类无限度掠夺自然和生态正义等问题的反思和批判。The discussion on the relationship between natural place and human self-identity in the theory of place broadens the critical horizon of traditional identity theory and develops an ecological self-identity concept.It transcends the limits of racial and cultural identity and emphasizes the identification of self from an ecological perspective.The identity process of Jack,the hero in the eco-film Avatar,begins from his regaining control of his own body to make the first step into self-identity,to entering the ecological identity region,Pandora planet,then to encountering the crisis of self-identity and falling into the predicament of identity,and eventually to completing the final identity in the ecological place.All this conveys the message that only in the ecological place can human beings really confirm their identities,so they should respect nature and protect their own homeland,and this also expresses criticism and reflections on issues like the insatiable exploitation of nature and ecological justice.

关 键 词：《阿凡达》 生态电影 处所理论 生态身份认同 

分 类 号：G63[文化科学—教育学]