布宁小说中西方“他者”形象的文本建构——以《四海之内皆兄弟》和《旧金山来的先生》为例  

Images of the Western Other in Bunin’s novels——A case study of Brothers and The Gentleman from San Francisco

作　　者：叶琳[1] 

机构地区：[1]西安交通大学外国语学院

出　　处：《西安外国语大学学报》2019年第4期106-110,共5页Journal of Xi’an International Studies University

基　　金：陕西省社会科学基金项目“布宁的乡村与城市叙事及对中国五四作家影响研究”(项目编号:2019J012);国家社科基金“19—20世纪俄苏文学的叙事空间转向与俄国现代性”(项目编号:15BWW032)的阶段性研究成果

摘　　要：在《四海之内皆兄弟》与《旧金山来的先生》两部小说中,布宁通过将西方形象符号纳入"西方∕东方""先进∕落后"的二元对话和冲突范畴,构建起了包含西方人、西方社会和西方文明的西方"他者"多层立体形象,在迎合20世纪初俄罗斯社会主流意识形态的同时,体现了布宁对俄罗斯民族文化身份和发展道路的探寻。In his two novels Brothers and The Gentleman from San Francisco Bunin brought the western image symbols into binary dialogue and conflict domain of "West/East" and "Advanced/Backward", from which he built multilevel solid images of "the Western Other" including westerner, western society and western civilization. These images of "the Western Other" not only represent the mainstream ideology of Russian society in the early twentieth century, but also embody Bunin’s exploration of Russian national cultural identity and development.

关 键 词：布宁 东西方 他者形象 俄罗斯 文化身份 

分 类 号：I512.074[文学—其他各国文学]