以荒诞击穿现实——陈应松新世纪小说中的“荒诞叙事”  

On the “Absurd Narrative” in Chen Yingsong’s Novels of the New Century

作　　者：周银银 ZHOU Yin-yin(School of Chinese Language and Literature,Yancheng Teachers University,Yancheng 224002,China)

机构地区：[1]盐城师范学院文学院

出　　处：《海南师范大学学报（社会科学版）》2019年第6期36-46,共11页Journal of Hainan Normal University(Social Sciences)

基　　金：江苏省社会科学基金项目“新世纪‘介入现实主义’小说研究”(项目编号:18ZWC007);国家社科基金项目“新世纪长篇小说的介入性与公共性研究(2000-2016)”(项目编号:17BZW165)

摘　　要：陈应松是中国当代文坛一个独特的文化存在。在新世纪的"神农架"和"荆州水乡"系列中,他以荒诞手法击穿现实,奇崛的象征意象和人物"变形""非常态"视角、错乱多重的时空、狂欢诗意的语言共同构筑起瑰丽神秘的文学王国。之所以选择以荒诞艺术抵达真相彼岸,与急遽变化的社会现实、魔幻现实主义的熏陶、作家个体的宗教信仰和荆楚腹地的民间文化相关。陈应松波诡云谲的荒诞式小说不仅给文坛带来了审美盛宴,实现了底层文学书写的多元化,上升到"诗性正义"的高度,也为建构文学公共空间提供了便利。但是,在"荒诞"屏障的护航下,陈应松对细节的忽视、为"狂人"群像蔽恶的态度易将现实问题混沌化。至于如何突围现实,陈应松奉献的出路有些虚妄。Chen Yingsong is a peculiar cultural existence in contemporary Chinese literary world.In the series of novels on"Shennongjia"and"water areas in Jingzhou"in the new century,he has broken through the reality with absurd methods and has constructed a magnificent and mysterious literary kingdom featuring strange symbolic images,"deformed characters,"abnormal"perspectives,confused multiple time-space,and the carnival poetic language.The reason for the writer to opt to reach the other side of the truth in the form of the absurd art is related to the rapidly changing social reality,the influence of magic realism,the writer’s individual religious belief and the folk culture in the hinterland of Hubei.Chen Yingsong’s absurd novels have not only brought an aesthetic feast to the literary world,realized the diversification of the bottom literature writing,risen to the height of"poetic justice"but also provided convenience for the construction of literature public space.However,under the escort of the"absurd"barrier,Chen Yingsong’s neglect of details and his attitude towards concealing evils of the"madmen"tends to make actual problems chaotic.Moreover,Chen Yingsong hasn’t proposed an effective measure to get out of the dilemmas.

关 键 词：陈应松 荒诞叙事 狂人形象 

分 类 号：I206.7[文学—中国文学]