论陕西面花艺术的审美意象  

On the Aesthetic Images of Shaanxi Dough Sculpture

作　　者：王海珺[1] Wang Haijun(Xi’an Fanyi University,Xi’an Shaanxi 710105)

机构地区：[1]西安翻译学院文学与传媒学院,陕西西安710105

出　　处：《西安翻译学院学报》2019年第4期28-32,56,共6页JOURNAL OF XIAN FANYI UNIVERSITY

摘　　要：面花是中国最具有代表性的民间艺术之一,既反映了中国人“民以食为天”的基本理念,又是很复杂的文化符号,体现着中国人的生殖崇拜、图腾崇拜、祭祀文化和礼仪文化的繁复内涵,还表达了人们对美好生活的向往与追求。中国面花以陕西面花为代表,其工艺的复杂性、审美的愉悦性、文化的附着性,均无二致。研究中国面花,就必须从陕西面花着眼,考察它的历史性和演变性,从而在审美取向上达到对中国文化的追根溯源。Dough sculpture,one of the most distinguishable folk arts in China,reflects the basic Chinese concept—food is the prime need of man;it also is a very complex cultural symbol,a complicated connotation of Chinese reproductive worship,totem worship,sacrifice culture and etiquette culture.It expresses people’s expectation for happiness and the pursuit of a better life.As representative,Shaanxi dough sculpture features its delicate crafts,aesthetic concepts and its attached cultures.It is of great necessity to study the history and development of Shaanxi dough sculpture in order to understand Chinese culture better.

关 键 词：陕西面花 审美意象 文化符号 

分 类 号：G05[文化科学]