身体的极限体验与审美的出路:论福柯的快感美学  

The Ultimate Experience of the Body and the Way Out of Aesthetics:Discussion on Foucault’s Pleasure Aesthetics

作　　者：李震[1] Li Zhen

机构地区：[1]浙江师范大学人文学院

出　　处：《文化研究》2019年第2期155-170,共16页Cultural Studies

基　　金：国家社科基金重大项目“西方美育思想史”(编号:15ZDB024)的阶段性成果

摘　　要：福柯将身体提升为体验美的容器,把身体快感纳入审美快感的范围内,对身体快感进行审美合法性的辩护。把福柯的身体论述放在整个西方传统美学、现代美学大背景下讨论,并为其进行美学申辩,有助于提炼福柯的身体论述所呈现的独特的美学意义。对身体快感审美合法性进行的辩护,蕴含了身体文化的一种解放:身体的极限体验导向一种自由的身体审美实践,尊重身体在生命中的地位,重视身体快适,释放身体的生物能量,塑造新的身体感觉。Foucault elevates the body as the container of experiencing beauty,brings the body pleasure into the scope of aesthetic pleasure and defends the aesthetic legitimacy of body pleasure.It is helpful to refine the unique aesthetic value of Foucault’s body theory when discussing it under the background of the whole western traditional aesthetics, modern aesthetics and arguing for its aesthetic legitimacy of body pleasure.The defense contains a kind of liberation of body culture:the ultimate experience of body leads to a free body aesthetic practice,respects the position of body in life,and attaches importance to the rapid fitness of the body as well as releasing the biological energy and shaping a new sense of it.

关 键 词：身体 快感美学 福柯 

分 类 号：B83-0[哲学宗教—美学]