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作 者:曾斌[1] ZENG Bin(School of Chinese Language and Literature,Jiangxi Normal University,Nanchang,Jiangxi 330022,China)
机构地区:[1]江西师范大学文学院
出 处:《江西师范大学学报(哲学社会科学版)》2019年第6期48-54,共7页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
基 金:国家社科基金重大项目“中西叙事传统比较研究”(编号:16ZDA195);国家社科基金项目“中华多民族文学叙事诗学研究”(编号:16BZW175);江西省高校人文社会科学研究项目“中国当代少数民族小说叙事研究”(编号:ZGW1506)
摘 要:二十一世纪以来,我国叙事学研究迎来了新的发展时期。叙事学研究对象突破了小说叙事模式的阈限,关注无所不在的叙事,如政治、法律、音乐、绘画、历史、空间等,日渐成为涵括各学科叙事的一种广义叙事学。与此同时,叙事学越来越关注自身和其他相关学科领域之间的关联,更新了叙事学的研究范式,以空间叙事、图像叙事等新的叙事研究领域所呈现的研究实绩,显示出研究范式的创新,并引领叙事学进入一个崭新的发展阶段。无所不在的叙事拓宽了中国叙事学研究的空间,以听觉叙事为代表的范式创新,为构建具有本土特色的中国叙事学提供了一个重要的研究路径。In the past two decades,China’s narratology has ushered in a new period of development,showing the trend of collision between the old and new researching paradigms and the trend of mutual promotion.Since 1990s,influenced by linguistic philosophy and literary theory,the researching paradigm of narratology has changed a lot.On the one hand,narrative is everywhere,and it’s always there.Narratology breaks through the threshold of the narrative mode of novels,focuses on the omnipresent narrative,the widespread application of narrative theories in all disciplines,such as politics,legal science,music,drawing,history,computerscience,psychology,pedagogy and so on,become a general theory of narratology.On the other hand,narratology is paying more and more attention to the relationship between narratology and other related subject areas.The cross-field research such as the interdisciplinary,the cross-literary and so on,has become a new perspective of narrative research.Scholars pay particular attention to the study of the combination of narratology and other related emerging disciplines.The research fields of narratology,such as the context narratology,the cognitive narratology,the cross-literary narratology,etc.expand unceasingly,and the new research results are emerging at home and abroad unceasingly.Accordingly,narratology has entered a new era of pluralism.This article is divided into three parts.First,narrative expansion:the omnipresent narrative;second,the paradigm innovation represented by auditory narratology:the multi-disciplinary integration in narrative observation;third,the Chinese Narratology:the localization construction of narratology.
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