元杂剧中梧桐意象的多重文化意蕴论考  

On Multicultural Connotations of the Image of Firmiana in Yuan Zaju

作　　者：李成[1,2] 王蕾 LI Cheng;WANG Lei(School of Literature,Liaoning Normal University,Dalian Liaoning,116081;Department of Ideology and Politics,Guangdong Business and Technology Univerysity,Zhaoqing Guangdong,526020)

机构地区：[1]辽宁师范大学文学院,辽宁大连116081 [2]广东工商职业技术大学思政部明德书院,广东肇庆526020

出　　处：《山西大同大学学报（社会科学版）》2019年第6期56-59,共4页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：梧桐,在中国古代文学中有着厚重的社会文化属性和丰富的文学审美属性,其意象的多样化使之成为历代诗人歌吟的对象。元杂剧中的"梧桐"意象与传统的诗文意象又有一些区别,在形式上表现为意象的重组与整饬,在情感上则为"团圆"艺术营造了更佳的戏剧效果。梧桐意象的发展是元代文学由雅入俗转变的一种表现,也是处于水深火热之中的创作者们对美好社会的向往。Firmiana,with its rich social and cultural attributes and literary aesthetic attributes in ancient Chinese literature,has become the singing object of poets of all dynasties because of its diversification of imagery. However,the image of "Firmiana" appearing in Yuan Zaju is different from the traditional image of poetry and prose. It is manifested in the form of image reorganization and rectification,and in the emotional aspect,it creates a better dramatic effect for "reunion" art. The development and change of the image of Firmiana is a manifestation of the transformation of literature from elegance to vulgarity in the Yuan Dynasty. It also shows the writer’s yearning for a happy society in the midst of misfortune.

关 键 词：元杂剧 梧桐 意象 凤凰 金井 梧桐叶 

分 类 号：I237.1[文学—中国文学] I207.37