陶溪川文创园区对公共艺术发展的推动作用  

The Promoting Effect of Taoxichuan Cultural and Creative Park on the Development of Public Art

作　　者：张朝会 ZHANG Zhaohui(School of Art History and Museology,Jingdezhen Ceramic Institute,Jingdezhen 333403,Jiangxi,China)

机构地区：[1]景德镇陶瓷大学艺术文博学院

出　　处：《中国陶瓷工业》2019年第5期30-35,共6页China Ceramic Industry

摘　　要：随着大众精神需求的逐渐提高,公共艺术的概念逐渐被提上议程。由于中国公共艺术发展的时间较短,因此在中国对公共艺术的认知还存在着一个多角度、多阶段的问题。但随着公共艺术在中国的不断发展,其也逐渐从最初作为美化环境的城市装饰转为艺术与社会大众产生关联的一种形式,体现了公共空间民主与共享的精神态度。陶溪川作为中国首个以陶瓷文化为主体的文化创意园区,不仅起到向大众传播普及陶瓷艺术的作用,其在促进社区艺术民主化、打破城市生存封闭性、连接城市历史文脉方面更是发挥了重要的推动作用。探讨文创园区如何更好的发挥公共艺术特质,不仅可以更好的发挥园区的文化效益,而且也会以一个新的视角,推动公共艺术的不断发展与普及。With the gradual improvement of the spiritual needs of the masses, the concept of public art is gradually put on the agenda. Due to a short history of public art in China, there is still a multi-angle and multi-stage problem in the cognition of public art in China. However, with the continuous development of public art in China, it has gradually changed from the city decoration as a beautification to a form of art related to the public, which reflects the spirit of democracy and sharing of public space. As the first cultural and creative park with ceramic culture as the main body in China, Taoxichuan not only plays a role in popularizing ceramic art to the public, but also plays an important role in promoting the democratization of community art, breaking the closure of urban survival and connecting the historical context of the city. To explore how cultural and creative parks can better display the characteristics of public art can not only better display the cultural benefits of the parks, but also promote the continuous development and popularization of public art from a new perspective.

关 键 词：陶溪川 文创园区 景德镇 公共艺术 

分 类 号：TQ174.74[化学工程—陶瓷工业]