破立视阈下的初唐诗学建构研究——以“四杰”和陈子昂为中心  

A Study on the Poetic Theory Construction of the Early Tang Dynasty from the Perspective of Inheritance and Sublation——Focus on Four Great Poets of the Early Tang Dynasty and Chen Zi’ang

作　　者：潘链钰[1] Pan Lianyu(College of Liberal Arts,Hunan Normal University,Changsha 410006,China)

机构地区：[1]湖南师范大学文学院

出　　处：《中国海洋大学学报（社会科学版）》2020年第1期122-128,共7页Journal of Ocean University of China(Social Sciences)

基　　金：国家社科基金项目“周游三教视阈中的唐宋诗学转型研究”(17CZW002)阶段性成果

摘　　要：太宗晚年齐梁余韵之回潮肇引出初唐诗学必破之格局。“初唐四杰”与陈子昂以“风骨”“兴寄”大旗欲立初唐诗学新面貌。以王勃为首的“四杰”呼唤刚健诗风的同时未能很好地实践“风骨”之旨。陈子昂则超越“四杰”,秉承儒家诗教、亲爱风雅,援《诗》立文,以“兴寄”推动初唐诗学继续深入发展。In the later years of Emperor Taizong of Tang the charm of Qi and Liang of Southern Dynasties caused the poetic theory in the early Tang Dynasty to break the old pattern of former dynasties.Four Great Poets of the Early Tang Dynasty and Chen Zi'ang held the banner of"feng ku"and"xing ji"to break new ground in poetic theory of the Early Tang Dynasty.Wang Bo,one of Four Great Poets of the Early Tang Dynasty,advocated vigorous poetic style but did not practice well the purpose of"feng ku".Chen Zi'ang surpassed Four Great Poets of the Early Tang Dynasty in the inheritance of Confucian poetic theory,favored poetic elegance and promoted the further development of poetry in the Early Tang Dynasty with the banner of"xing ji".

关 键 词：破立 初唐诗学 “四杰” 陈子昂 

分 类 号：I206.2[文学—中国文学]