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作 者:刘清秀[1] LIU Qing-xiu(College of Literature,Xizangminzu University,Xianyang Shaanxi 712082,China)
机构地区:[1]西藏民族大学文学院
出 处:《兰州工业学院学报》2019年第6期108-113,共6页Journal of Lanzhou Institute of Technology
摘 要:崛起于20世纪40年代孤岛文坛中的张爱玲,以她敏感的心思和细腻的笔触,为中国现代文坛小说的创作开辟了一条新的道路,成为一个传奇。她的“苍凉之美”、悲观心理等都源于爱的缺失。因此她的小说创作也反映出她内心的情结。在她小说中所包含“自恋”情结中的自我关注,以自己的眼光看女人、男人和爱情,在“恋父”情结中的对父亲的复杂情感,在“恋衣”情结中对母亲的崇拜模仿和对自己的补偿以及对服装象征意义的独特运用,在“恋古”情结中的受家庭的影响等,都与其个人经历和性格有关。因此张爱玲创作小说,也同样是在小说中描述自己,“以己之口,述己之心”。Eileen Chang,rising in the literary world of Gudao in 1940s,opened up a new way for the creation of Chinese modern literary fiction with her sensitive thoughts and delicate strokes,and became a legend.Her"desolate beauty"and her pessimistic psychology all stem from the lack of love.Therefore,her novels also reflect the complex of her inner feelings,winding her whole life's novel creation.In her novel,she includes self concern in the love complex,looking at the woman,man and love in her own eyes,the complex emotion of falling in love with her father,the complex of the worship imitation to her mother in loving clothes and the compensation for her own,and the unique use of the symbolic meaning of the clothing,and the love of ancient by the effect of the family in the loving ancient complex.It's all about her personal experience and her character.Therefore,Eileen Chang's novels also depicted herself in the novel,describing herself with her own mouth.
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