魏晋风流的现代性重构——论朱天文《荒人手记》的文化认同  

Modernity Reconstruction of the Romantic in Wei and Jin Dynasties

作　　者：苏钰钦 田文兵[1] SU Yuqin;TIAN Wenbin(School of Liberal Arts,Huaqiao University,Quanzhou,Fujian 362000,China)

机构地区：[1]华侨大学文学院

出　　处：《广西科技师范学院学报》2019年第6期52-56,40,共6页Journal of Guangxi Science & Technology Normal University

摘　　要：全球化时代语境下,如何从本土文化之中汲取力量,应对逐渐消解的传统价值观念,成为当代文学写作不可回避的时代命题。朱天文的《荒人手记》着眼于边缘群体,通过荒人成长性自述来表现知识分子微妙的时代感,并由此引发出对于现代及后现代的种种思考。荒人形象与魏晋风流有着异曲同工之妙,实质上是对魏晋风流的一种现代性重构。文章从魏晋风流与荒人二者间关系出发,对此种现代性的"重构"进行解析,试图剖析出现代语境下知识分子新的人格态度,并以此为理论出发点,从风流与后现代、风流与眷村第二代人两个方面阐释两岸认同差异的根源所在。In the context of the globalization era,how to draw strength from the local culture and cope with the gradual disappearance of traditional values has become an inevitable proposition of The Times in contemporary literary writing. Zhu tianwen’s Records of the Wild Man focuses on the marginal groups,expressing the subtle sense of The Times of the intellectuals through the wild man’s self-narrative of growth,and thus triggers various thoughts on the modern and post-modern. The image of the barren man is similar to the romantic love in the Wei and Jin dynasties. In fact,it is a modernity reconstruction of the romantic love in the Wei and Jin dynasties. Starting from the relationship between romantic love in Wei and Jin dynasties and among the uneducated people,this paper analyzes the"reconstruction"of modernity,and the new personality attitude of intellectuals in the modern context,and explains the root of the differences in cross-strait identity from the two aspects of romantic love and post-modernism,romantic love and the second generation of the family village.

关 键 词：《荒人手记》 魏晋风流 后现代 文化认同 

分 类 号：I207.42[文学—中国文学]