浅析景德镇明代民窑写意青花“婴戏图”的艺术表现与审美情趣  

Analysis on Art Performance and Aesthetic Interest of Children Playing Pictuer of Blue and White Paintingsin Ming Dynasty Jingdezhen

作　　者：吴庆文 詹伊梨 张弛衡 Wu Qingwen;Zhan Yili;Zhang Chiheng(Jingdezhen Ceramic Institute,Jingdezhen 333403)

机构地区：[1]景德镇陶瓷大学

出　　处：《江苏陶瓷》2019年第6期6-8,共3页Jiangsu Ceramics

基　　金：江西省社会科学“十三五”(2019)规划项目(编号:19WT20)

摘　　要：“婴戏图”是指以儿童游玩、嬉戏为主题画面的纹饰,景德镇明代民窑写意青花婴戏构图疏简、笔法洒脱随意、画面活泼奔放、人物生动传神。这一时期作品多追求简洁、凝练,体现“童趣”、“古朴”、“自然”,形成了独特的形象语言与艺术风格。文章通过挖掘婴戏图纹饰的文化内涵,阐释了景德镇明代民窑写意青花“婴戏图”的艺术表现及审美情趣。Children Playing Pictuer is Children play,play as the theme of the picture decoration.The composition is hydrophobic Jane,the brushwork is free and easy,the picture figure is lively and unrestrained,vivid of Blue and White Paintings in Ming Dynasty Jingdezhen.Works of this period pursue concise,concise,embody"childishness","simplicity"and"nature",formed a unique image language and artistic style.Through excavating the cultural connotation of baby play pattern,explained art performance and aesthetic interest of children playing pictuer of Blue and White paintings in Ming Dynasty Jingdezhen.

关 键 词：景德镇 明代民窑青花 婴戏图 艺术表现 审美情趣 

分 类 号：K87[历史地理—考古学及博物馆学]