实践美学与后实践美学争论的重大意义  

On the significance of the debate between practical aesthetics and post-practical aesthetics

作　　者：张玉能[1] 张弓 ZHANG Yu-neng;ZHANG Gong(College of Chinese Language and Literature,Central China Normal University,Wuhan 430079,China;College of Communication,East China University of politics and law,Shanghai 201620)

机构地区：[1]华中师范大学文学院,湖北武汉430079 [2]华东政法大学传播学院,上海201620

出　　处：《青岛科技大学学报（社会科学版）》2019年第4期75-79,共5页Journal of Qingdao University of Science and Technology(Social Sciences)

摘　　要：1993—2005年中国当代美学界的实践美学与后实践美学展开的一场争论,是一个转折性的历史事件,对于中国当代美学的发展具有极其重大的历史意义和现实意义。实践美学与后实践美学的争论是在改革开放新时期的大好形势下,中国当代美学界在西方后现代美学思潮的直接影响下所产生的,它有力地推动了实践美学主导流派的发展,把实践美学推向了新的发展阶段,出现了新实践美学流派。在争论中,新实践美学从许多方面引用、阐述了马克思主义哲学和美学著作,特别是马克思主义美学奠基之作《1844年经济学哲学手稿》的观点、立场、方法,彰显了马克思主义哲学和美学的开放性和生命力。在实践美学与后实践美学争论中,新实践美学非常注意把马克思主义美学的基本原理与中国传统美学思想的优秀遗产结合起来,争论进一步促进了马克思主义美学中国化。From 1993 to 2005,the debate between practical aesthetics and post-practical aesthetics in the field of contemporary Chinese aesthetics is a turning historical event,which is of great historical and practical significance to the development of contemporary Chinese aesthetics.The debate between practical aesthetics and post-practical aesthetics came into being in the new era of reform and opening up,and under the direct influence of the western post-modern aesthetic trend of thought in contemporary Chinese aesthetics.It effectively promoted the development of the leading schools of practical aesthetics,pushed the practical aesthetics to a new stage of development,and emerged a new school of practical aesthetics.During the debate,new practical aesthetics quoted and expounded Marxist philosophy and aesthetic works from many aspects,especially the viewpoints,positions and methods of the founding works of Marxist aesthetics,Manuscripts of Economics and Philosophy of 1844,which demonstrated the openness and vitality of Marxist philosophy and aesthetics.In the debate between practical aesthetics and post-practical aesthetics,the new practical aesthetics attaches great importance to combining the basic principles of Marxist aesthetics with the excellent heritage of Chinese traditional aesthetic thoughts,and the debate further promotes the sinicization of Marxist aesthetics.

关 键 词：实践美学 后实践美学 争论 重大意义 

分 类 号：B83-0[哲学宗教—美学]