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作 者:田苗[1] TIAN Miao(Faculty of Liberal Arts,Northwest University,Xi’an 710127,China)
机构地区:[1]西北大学文学院
出 处:《西北大学学报(哲学社会科学版)》2020年第1期168-174,共7页Journal of Northwest University:Philosophy and Social Sciences Edition
摘 要:"洞房"一词在古汉语中所指颇多,在唐宋诗词中多指深邃的内室。宋代词人进一步发展了前代诗歌中对于"洞房"的描写,使其不仅仅是独处独思之处,而且普遍意义上成为男女欢会之所,将私人空间的呈示引向更幽微之处。同时宋代词人在描写"洞房"以及其他住宅内部建筑时,喜用"深""掩"等字眼,从而建构起一个私人空间,宋词正是在这样的私人空间中发幽微之情,展现出与诗不同的独特魅力。Dongfang has many meanings in ancient Chinese.It frequently means a deep room in poetry of Tang and Song.The poets of Song further developed the description of dongfang and changed it from a place of solitude to a place for dating.The private space was rendered into a more in-depth space.At the same time,when the poets of Song described dongfang and other interior architecture in residence,they were more likely to use words such as deep,close and so on to construct a private space.Song Ci express delicate feelings in such a space and show different charm of poetry.
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