北京音系十三辙:制定普通话新诗韵的基础  

13 Rhymes of Beijing Phonology:The Basis for Setting a New Poetry Rhyme in Mandarin

作　　者：宋峰 SONG Feng(School of Humanities and Social Sciences,Jiangsu University of Technology,Changzhou 213001,China)

机构地区：[1]江苏理工学院人文社会科学学院

出　　处：《常熟理工学院学报》2020年第1期13-22,40,共11页Journal of Changshu Institute of Technology

基　　金：江苏理工学院社科基金项目“普通话韵部划分中儿化韵的理论与实践研究”(kyy19528)

摘　　要：普通话新诗韵的研究和制定是当前诗韵改革的热门话题。普通话新诗韵的制定,既要秉承历史上我国韵书发展的传统,又要结合现今普通话的语音变化和诗歌用韵实际。北京音系十三辙渊源有继,影响深远,是制定普通话新诗韵的基础。在北京音系十三辙基础上制定新诗韵,可以将十三辙中的“梭坡”和“乜斜”二辙合并(形成新的“梭乜”辙),并将“er儿”系字从“一七”辙中分离出来,并入新的“梭乜”辙内。The research on and formulation of a new poetry rhyme in Mandarin are a hot topic of the current poetry rhyme reform.The formulation of a new poetry rhyme in Mandarin must not only uphold the tradition of the development of rhyme books in history in China,but also combine the current phonetic changes in Mandarin and the actual use of rhyme in poetry.The Beijing Sound System has both a long history and a profound influence,and it is the basis for setting a new poetry rhyme in Mandarin.Based on 13 rhymes of Beijing phonology,a new poetry rhyme can be formulated by combining the“Suopo梭坡”and the“Miexie乜斜”in the 13th rhyme(to form a new“Suomie梭乜”),and the“er儿”series separated from the“Yiqi一七”rhyme can also be merged into the new“Suomie梭乜”rhyme.

关 键 词：新诗韵 北京音系十三辙 《中原音韵》 

分 类 号：I207.21[文学—中国文学]