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作 者:高宏洲 Gao Hongzhou
机构地区:[1]人民文学出版社古典文学编辑室
出 处:《南京师范大学文学院学报》2019年第4期20-28,共9页Journal of School of Chinese Language and Culture Nanjing Normal University
基 金:中国博士后科学基金资助项目,项目号:2015M581033
摘 要:学界将《神思》视为《文心雕龙》下篇创作论的总纲是不符合事实的,是建立在王元化对范文澜《文心雕龙注》的误读基础之上的。黄侃等将"杼轴献功"理解为修饰润色是准确的,但也略有曲解。一些学者对黄侃等失误的反思仍有值得商榷的地方。王运熙对"研阅""驯致",钱锺书对"意象"等概念的理解比较准确,但是并没有获得龙学界的认可,需要予以进一步申说和辨析。The Chapter Sheng Si has been regarded as the general outline of the creation theory in the second half of the book of Wen Xin Diao Long by academia. But this is not in accordance with the fact. It is based on Wang Yuanhua’s misreading of Fan Wenlan’s Wen Xin Diao Long Zhu. It is correct for Huang Kan and others to interpret "zhu zhou xian gong"as modify and polish,yet there are certain misunderstandings.The reflections on these misunderstandings by some scholars are also questionable. Wang Yunxi’s understanding of the concepts of "Yanyue"and "Xunzhi",and Qian Zhongshu’s understanding of the concepts of "image"are relatively accurate,but they have not been recognized by the scholars,thus need further explanation and discussion.
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