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作 者:周敏[1] ZHOU Min(School of Music,Zhejiang Normal University,Jinhua 321004,China)
机构地区:[1]浙江师范大学音乐学院
出 处:《美育学刊》2020年第1期23-29,共7页Journal of Aesthetic Education
基 金:国家社会科学基金艺术学重大项目“中国传统音乐表演体系研究”(16ZD005)的阶段性研究成果
摘 要:"咽音"作为一种声乐歌唱的技巧,起源于古代意大利。歌唱家们为了发展歌唱能力,不断地在声乐实践中对"咽音"的技巧进行摸索,并且以口传心教的方式使其流传至今。恰到好处地使用这种嗓音训练方法,可以丰富歌者的声音色彩,使声乐作品更具有表现力,以达到更好的演唱效果。以声乐教育家林俊卿"咽音"歌唱理论的内涵为基础,对其理论的创新价值进行思考,可总结出"咽音"练声法在声乐教学中的实践方法。As a vocal singing technique, "voce faringea" originated in ancient Italy. In order to develop their singing ability, singers have been exploring the technique of "voce faringea" in vocal practice and spreading it through oral and spiritual teaching. As a matter of fact, appropriate use of this voice training method can achieve better singing effect with richer voice color of singers and more expressive works of vocal music. Based on the connotation of vocal educator Lin Junqing’s "voce faringea" theory, this paper aims to study the practical method of "voce faringea" in vocal teaching from the perspective of the innovative value of his theory.
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