清代家具三作（京作、苏作、广作）的风格特点  

THE STYLE CHARACTERISTICS OF THE THREE WORKS OF FURNITURE IN THE QING DYNASTY(JING ZUO,SU ZUO,GUANG ZUO)

作　　者：周耀[1] 王玥琪 ZHOU YAO;WANG YUEQI

机构地区：[1]沈阳建筑大学设计艺术学院

出　　处：《设计》2019年第23期108-109,共2页Design

摘　　要：为了总结分析清代家具三作的风格特点与形成原因及主要区分方式。本文使用分析了典籍中的与实物的纹理纹路与材料,分析历史与现代三作家具的发展需求的方法,以典型三作家具为例,总结了三作的风格特点。通过研究清代三作在现代空间设计中的应用,并结合实际传统家具的造型纹饰及材料的分析,可以对国内传统家具造型在现代家具的应用抛砖引玉,并引征多本理论进行辩证。探求国际风格以外的国内家具设计风格趋势。In order to summarize and analyze the style characteristics,formation reasons and main distinguishing methods of the three works of furniture in the Qing Dynasty. This paper analyzes the texture lines and materials in the classics and analyzes the historical and modern three-piece furniture development needs. The typical three-piece furniture is taken as an example to summarize the style characteristics of the three works.By studying the application of the three works of the Qing Dynasty in modern space design,combined with the analysis of the actual traditional furniture’s modeling and materials,it is possible to make a reference to the application of traditional furniture in modern furniture,and to introduce many theories for dialectic. Explore the trend of domestic furniture design styles other than international style.

关 键 词：清代三作 现代中式 中国古典家具 

分 类 号：TS664.0[轻工技术与工程]