十三届美展陶艺与瓷画审美的反思  

Reflection on ceramic art and porcelain painting aesthetics in the 13th Art Exhibition

作　　者：章朝辉[1] Zhang Chaohui(Jingdezhen college,Jingdezhen City,333000)

机构地区：[1]景德镇学院

出　　处：《陶瓷研究》2019年第5期18-20,共3页Ceramic Studies

摘　　要：中国的陶艺与当代瓷画都已烙上时代的印记,陶艺与瓷画二者在我国官方主流艺术中是偏冷门,远不及国、油、版、雕,在大多数人最初印象中陶艺即(新、奇、异),瓷画即(传统工艺、民间艺术之类瓶罐、雅、俗)等,然而事实上二者是牛马不相及的二大系统,打个比方都是食草动物,但各自对社会的功能强项明显不同,牛力大、马善跑。China's pottery and porcelain painting has been branded the imprint of The Times,pottery and porcelain painting in our country's official mainstream art is both less popular,far less than countries,oil,edition,carving,pottery namely in the first impression most people(new,strange,different),porcelain painting namely(traditional crafts,folk art,such as botdes,refined and vulgar),etc.,but in fact they are horses and cattle and of the two systems,for example are herbivores,but their strengths are obviously different,the function of the social big cow dint,the horse can run.

关 键 词：陶艺与瓷画学科认识上不对称 历史、社会背景思考 概念思考 创新思考 教育思考 

分 类 号：J01[艺术—艺术理论]