葛兰西霸权理论与英国文化马克思主义的发展与危机  

The Hegemony Theory of Antonio Gramsci and the Development and Crisis of British Cultural Marxism

作　　者：胡小燕[1] HU Xiao-yan(Faculty of Liberal Arts,Northwest University,Xi’an 710127,China)

机构地区：[1]西北大学文学院

出　　处：《西北大学学报（哲学社会科学版）》2020年第2期101-110,共10页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：2014年国家社科基金青年项目(14CZW003)

摘　　要：葛兰西的霸权理论为威廉斯的作为整体的文化引入了斗争的因素,进一步完善了文化理论。霸权理论为霍尔提供了调和文化主义与结构主义的文化研究范式的理论基础,同时霍尔将霸权理论中对历史情境的强调与结构主义的语言原则以及拉克劳的接合理论相结合,形成了自己独具特色的霸权式的接合理论,用以剖析社会文化中霸权的话语式运作方式,以及话语式运作的背后所蕴含的意识形态意义或者是对抗的逻辑。这些也直接改变了他们关于文化的定义。同时,威廉斯及霍尔等英国文化马克思主义者对葛兰西霸权理论的接受及运用实际扩大了理论本身存在的问题,使其不得不面临新的危机。Antonio Gramsci’s hegemony theory introduced the factor of struggle into Williams’s culture as a whole,and further improved the cultural theory.The theory of hegemony provided Stuart Hall with a theoretical basis for reconciling culturalism with the paradigm of cultural studies of the structuralism.At the same time,Hall combined the emphasis on historical context in the hegemony theory with the language principles of the structuralism and Laclau’s articulation theory to form his own unique hegemonic articulation theory.It is used to analyze the operation mode of discourse of hegemony in social culture and the ideological meaning or the logic of confrontation behind the operation mode of discourse.It also directly changed their definition of culture.At the same time,the acceptance and application of Antonio Gramsci’s hegemony theory by British Cultural Marxists such as Williams and Hall actually enlarged the problems of the theory itself,which enabled itself to face a new crisis.

关 键 词：英国文化马克思主义 霸权 文化 意识形态 

分 类 号：I0[文学—文学理论]