论歌德的民族文学观及其世界文学观念中的“差异性”  

Rethinking Goethe’s Ideas of National Literature and Differences of World Literature

作　　者：张珂[1] ZHANG Ke(School of foreign studies,Minzu University of China,Beijing 100081,China)

机构地区：[1]中央民族大学外国语学院

出　　处：《燕山大学学报（哲学社会科学版）》2020年第1期1-6,16,共7页Journal of Yanshan University:Philosophy and Social Science

基　　金：教育部人文社会科学研究青年项目“民国时期外国文学与国民教育关系研究”(19YJCZH249);教育部人文社会科学重点研究基地重大项目“全球化时代的比较文学与世界文学理论研究”(14JJD750008)

摘　　要：歌德作为世界文学的提倡者,他是否否认民族文学?长期以来人们在激赏歌德世界文学理想的同时,却往往有意无意忽视了歌德对民族文学的谈论。歌德对世界文学的提倡,继承并发展了赫尔德的思想,实为建设德国民族文学的一种策略。歌德在强调世界文学共通性的同时,也论述了世界文学的差异性及应对策略。差异性与共通性的统一是歌德世界文学观念产生的基础和核心内涵,反映了他对民族文学与世界文学关系的一种辩证认识。近年来,国际学界对歌德世界文学观念差异性问题的阐释,为我们进一步理解全球化时代民族文学与世界文学的关系提供了参照。As an advocate of world literature,does Goethe deny national literature?For a long time,while appreciating Goethe’s ideal of world literature,people often ignore Goethe’s discussion on national literature intentionally or unintentionally.Goethe inherited and developed Herder’s thought for promotion of world literature,which is actually a strategy of German national literature commitment.While emphasizing the universality of world literature,Goethe also discussed the differences of world literature and its coping strategies.The unity of differences and universality is the basis and core connotation of Goethe’s world literature concept,which reflects his dialectical understanding of the relationship between world literature and national literature.The interpretation on the problem of differences in the ideas of Goethe’s world literature in the international academic circle provides a further reference to the understanding of the relationship between national literature and world literature deeply in the era of globalization.

关 键 词：歌德 民族文学 世界文学 差异性 共通性 

分 类 号：I1[文学—世界文学]