语境主义与当代西方文艺伦理批评  

Contextualism and Contemporary Western Literary of The Ethical Criticism

作　　者：章辉[1] ZHANG Hui(College of Literature and Communication,China Three Gorges University,Yichang,Hubei,443002,PRC)

机构地区：[1]三峡大学文学与传媒学院

出　　处：《西北师大学报（社会科学版）》2020年第1期56-64,共9页Journal of Northwest Normal University(Social Sciences)

基　　金：国家社会科学基金项目“英国当代美学发展史研究”(11CZX074)

摘　　要：语境主义认为,即便作品的观点是不道德的,但作品的艺术技巧增加了我们对不道德的观点的理解力,这就是有价值的,即是说作品的伦理瑕疵,在美学上有时是好的,这是因为作品的道德内容和艺术形式交融在一起,我们无法剥离作为整体的艺术品的各个部分。语境主义的合理性在于,道德观点的历史性和相对性、艺术内容和形式的连贯性、具体艺术品的特殊性,都需要我们语境化艺术的道德特质和审美价值的关系。Contextualism holds that even if the viewpoint of a work is immoral,the artistic skill of the work increases our understanding of the immoral viewpoint,which is valuable,that is to say,the ethical flaw of a work is sometimes good in aesthetics,because the moral content and artistic form of a work of art as a whole can’t be separated from each other.The rationality of contextualism lies in that the historicity and relativity of moral viewpoint,the consistency of art content and form,and the particularity of specific works of art all require contextualizing the relationship between the moral characteristics and aesthetic value of art.

关 键 词：语境主义 自律主义 不可分离性 

分 类 号：B82-054.9[哲学宗教—伦理学]