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作 者:郭万金[1] 赵寅君[1] Guo Wanjin;Zhao Yinjun(School of Chinese Classics,Shanxi University,Taiyuan 030006,Shanxi,China)
机构地区:[1]山西大学国学院
出 处:《长江学术》2020年第1期41-49,共9页Yangtze River Academic
基 金:国家社科基金重大项目“中日韩诗经百家汇注”(10&ZD101)
摘 要:元剧《赵氏孤儿》盛行之前,赵氏孤儿的故事已广泛流传,隐于其中的正是中华民族的恒久悠远的忠义精神。从《史记》所载赵姓之祀程婴、杵臼,到宋代以国家祀典面目出现的祭祀行为,忠义精神于民族心灵中积淀为深层的信仰力量。举世认同的忠义精神成为赵孤故事进入元杂剧的道德基础。杂剧中的故事展开,即以深植于传统的忠奸对立为基本元素。但于叙述扮演时重视忠义形象的贴近人生,不拔高,别有一种生活意义的合理真实。Before the Yuan Plays Chinese Orphan became popular,the story of Zhao's orphan had spread far and wide,behind which was the long-standing loyalty spirit of the Chinese nation.From the various sacrificial practices recorded in historical materials of past dynasties,we can see that the loyalty spirit accumulated in the national soul as a deeprooted faith.The spirit of loyalty and righteousness became the moral basis for stories of Zhao5 s orphan and enter Yuan plays.In the Yuan plays,story always frames within the traditional opposition between loyalty and treachery.However,the image of loyalty and righteousness is close to real life,not elevated,there is another kind of reasonable and true meaning of life.
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