朱光潜诗歌符号思想新探  

A New Inquiry Into Zhu Guang Qian’s Poetic Semiotics

作　　者：张旭曙[1] Zhang XuShu(Department of Chinese Literature and Language,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学中文系

出　　处：《长江学术》2020年第1期81-97,共17页Yangtze River Academic

摘　　要：朱光潜汇通中西,吸纳文学、艺术、心理学、美学、生理学、语言学、哲学和人类学等众多学科的研究成果,构建了堪称中国现代诗学史上最具系统性的语言理论。同时,他广泛援引中国古典诗学资源,力图改造传统诗论的"言意观”并给予新颖别致的解释。其总体特征是综合理性语言观(语言能清晰地表达思想)和浪漫语言观(艺术即语言即表现即创造),辅之以行为主义心理学观点和实验生理学论据来说明言语行为。朱光潜的新表现主义语言符号思想还停留在传统语文学的范围内,不是语言本体论。By assimilating scientific achievements in the field of literature,arts,psychology,aesthetics,physiology,linguistics,philosophy and anthropology,etc.,Zhu Guang Qian builds up,in a trans-cultural way,the most systematic theory of language in the history of modem Chinese poetics.He strives to employ,in the meantime,ancient Chinese poetic ideas,in order to reconstruct the doctrine of language and meaning of ancient poetics by giving it a new explanation.The overall characteristic of Zhu Guang Qian's theory lies in the fact that it tries to illustrate speech acts in terms of rational view oflanguage,which means every clear thought can be expressed,and romantic view of language,that is,arts,language,expression and creation refer to the same thing,with the aid of behaviorist psychology and experimental physiology.Zhu Guang Qian's neo-expressionism language theory still remains in the realm of traditional philology,and cannot be accounted for as a sort of ontology of language.

关 键 词：朱光潜 《诗论》 诗歌符号 语言符号学 语言本体论 

分 类 号：I207.25[文学—中国文学]