艺术的空间转向与场域建构——从城市公共艺术景观论起  

The Spatial Turn and Field Construction of Art: From the Perspective of Urban Public Art Landscape

作　　者：赵志红[1] ZHAO Zhi-hong(School of Arts,Sichuan University,Chengdu,Sichuan 610041)

机构地区：[1]四川大学艺术学院

出　　处：《艺术百家》2019年第5期30-37,共8页Hundred Schools In Arts

基　　金：四川省哲学和社会科学规划重点项目“成都公共艺术景观与城市形象塑造关系研究”(项目编号:SC18A010)阶段性成果之一

摘　　要：艺术深刻介入日常生活、介入公共空间和公共领域,已经成为当代艺术凸显的自身特征。艺术介入公共空间,不仅使艺术成为构建艺术化景观,塑造空间审美形态的重要力量,也成为城市景观最鲜活的视觉文本。重要的是在这一过程中,艺术的功能、艺术的生产机制、艺术的媒介与形态以及评价机制等因素,与传统艺术相比,也都发生了转换和转变。本文主要以城市艺术景观为讨论对象,力求以小见大、以点带面地探讨当代艺术发生的空间转向,以及随之带来的生产机制、艺术形态的变化和艺术评价机制的转型等问题。由此,我们可以进一步认识到在这些转向的背后,彰显出的是艺术功能与价值取向之前的转换。Art has become a prominent feature of contemporary art in its profound involvement in daily life,public space and public domain. The intervention of art in public space not only makes art become an important force to construct artistic landscape and shape the aesthetic form of space,but also becomes the most vivid visual text of urban landscape. The important thing is that in this process,the function of art,the production mechanism of art,the media and form of art and the evaluation mechanism have changed and changed compared with the traditional art. This paper mainly takes the urban art landscape as the object of discussion,tries to see the whole through a small part,and discusses the spatial turn of contemporary art,as well as the production mechanism,the change of art form and the transformation of art evaluation mechanism. Therefore,it is further realized that behind these turns,it is the transformation of artistic function and value orientation.

关 键 词：当代艺术 公共艺术景观 艺术生产关系 艺术评价机制 

分 类 号：J0[艺术—艺术理论]