金元时期北方蕃曲与元曲的融合与渗透  

A Study on the Relationship between Northern Song and Yuan Dynasty in Jin and Yuan Dynasties

作　　者：张婷婷[1] ZHANG Ting-ting(Institute of Art,Nanjing Art University,Nanjing,Jiangsu 210013)

机构地区：[1]南京艺术学院研究院

出　　处：《艺术百家》2019年第5期94-99,共6页Hundred Schools In Arts

基　　金：2018年度国家社会科学基金艺术学重大项目“梅兰芳表演艺术体系及相关文献收集整理与研究”(项目编号:18ZD07)子课题“中国古代表演艺术研究”阶段性成果之一

摘　　要：金元时期,流行于北方的少数民族音乐,是元曲曲调的重要来源之一。后来曲家不断填词制曲,用它们来表现少数民族特定的生活场景。少量北方少数民族曲牌,融入元曲曲牌系统,其慷慨悲戾的音乐声情也影响着元曲曲调的风格。通过对蕃曲曲牌的梳理与归纳,从微观角度考察其形式和融入元曲的过程,我们可以窥见元代包括西域在内的北方各民族文化艺术相互交融与渗透影响的过程。In the Jin and Yuan dynasties,Northern songof the various forms which were widely popular in the north,is composed of Qu Qupai important cultural components,for the music of the important source of Yuan Qu. Not only a large number of northern minority Qupai,constantly integrated into the QUPAI system,and the generosity of the music emotion,but also affect the style of Qu tunes. This paper attempts to comb and generalize the qupai of the Song Dynasty,and examine its form and the process of its integration into the Yuan Dynasty from the microscopic point of view. It is not difficult to get a glimpse of the process that the Yuan Dynasty,including the western regions,blends and permeates the cultural art of the North.

关 键 词：戏曲艺术 散曲 杂剧 蕃曲 曲牌 

分 类 号：J80[艺术—戏剧戏曲]