混沌学视域下电子音乐结构力研究  

Study on the Structure Force of Electro-acoustic Music from the Perspective of Chaos

作　　者：章崇彬[1] ZHANG Chong-bin(School of Pop Music,Nanjing University of the Arts,Nanjing,Jiangsu 210013)

机构地区：[1]南京艺术学院流行音乐学院

出　　处：《艺术百家》2019年第5期123-127,共5页Hundred Schools In Arts

基　　金：2017年度江苏省高校哲学社会科学项目“混沌学视域下电子音乐结构力研究”(项目编号:2017SJB0374)阶段性成果之一

摘　　要：幻听电子音乐不依赖任何其他媒体和表现形式,而是完全凭借听觉去鉴赏和审美,是唯一纯粹的听觉艺术。本文以幻听电子音乐为论述对象,运用"混沌学"理论剖析其结构元素及其音乐发展中的确定性行为与不确定行为,并针对结构组织中带有普遍规律的现象予以梳理和总结,提出能够秩序混乱的主线--矢量,从微观到宏观,用频率、织体、密度、空间及相互关系转换等若干个结构元素来控制声音细胞及其组织发展,从而进行有目的、有方向的理性创作,用科学、艺术、有心理预置的创作思维指导创作,以期找到在宏观上、微观上把握其他类型和表演形式的电子音乐结构组织的思维和方法。Acousmatic Music does not rely on any other media or forms of expression,but completely by hearing to appreciate and aesthetic. So it is the only pure auditory art. Based on Acousmatic Music as the object of this paper,using the theory of chaos analysis of the structure element and its deterministic behavior and uncertain behavior in the development of music,and in view of the structure in the organization with a universal law to review and summarize the phenomenon,put forward to order the main line-vector,from micro to macro,using frequency,texture,density,space,interrelation conversion and such kind of structural elements to control the voice cells and organizational development,and thus for the purpose to have a direction of rational creation. And using science,art,creative thinking guidance,psychological preset,in order to achieve the macro,micro grasp of other types and forms of electronic-acoustic music structure and organization of thinking and methods.

关 键 词：音乐艺术 混沌学 幻听电子音乐 结构力 矢量 

分 类 号：J60[艺术—音乐]