论中国对南斯拉夫马克思主义文艺思想的接受与研究  

On the Acceptance and Study of Yugoslav Marxist Literary Thought in China

作　　者：张成华[1] ZHANG Cheng-hua(School of Chinese Language and Literature,South China Normal University,Guangzhou Guangdong 510006,China)

机构地区：[1]华南师范大学文学院

出　　处：《临沂大学学报》2020年第1期89-95,共7页Journal of Linyi University

基　　金：国家社会科学基金青年项目“南斯拉夫马克思主义文艺理论批评研究(1945—1989)”(19CZW004)

摘　　要：我国学界对南斯拉夫马克思主义文艺理论的接受主要分为两个阶段:1957年至1960年代初基于社会主义现实主义的立场,将南斯拉夫的现代主义文艺思想归类为修正主义并从政治层面上对其予以批判和改革开放至今的四十年间对南斯拉夫实践派文艺美学思想持续的学理化讨论。我国学界对南斯拉夫马克思主义文艺理论的研究取得了丰硕的成果却又在两方面需要继续深化:从内容上来说,需要对南斯拉夫马克思主义文艺理论进行全面而系统的接受和研究;从研究方式上来说,需要变纯粹的学理研究和将南斯拉夫与中国进行比较的类比研究为批评研究。The acceptance of Yugoslav Marxist literary theory in China has gone through two stages.In the first stage from the 1957 to the early 1960s,Yugoslavia’s modernist literary thought was classified as revisionism and criticized on the political level based on the protection of socialist realism;In the second stage from Reform and Opening up till now,academic discussion on the literary aesthetic thought of Yugoslavia praxis was continued.Fruitful achievements have been made in the study of Yugoslav Marxist literary theory,which can be futher studied in two aspects:firstly,to conduct comprehensive and systematic acceptance and study of the Yugoslav Marxist literary theory in terms of its content;secondly,to conduct critical study rather than mere academic study and analogic study that compares Yugoslavia with China.

关 键 词：南斯拉夫 马克思主义文艺思想 接受 研究 

分 类 号：B83-069[哲学宗教—美学]