《道连·格雷的画像》与《威廉·威尔逊》的互文性解读  

A Study on the Intertextuality between The Picture of Dorian Gray and William Wilson

作　　者：王兴伟[1] WANG Xing-wei(School of Foreign Languages,Dianchi College,Yunnan University Kunming 650228,China)

机构地区：[1]云南大学滇池学院外国语学院

出　　处：《昭通学院学报》2019年第6期61-64,共4页Journal of Zhaotong University

基　　金：云南省教育厅科研项目“现代和后现代视域下的奥斯卡·王尔德”阶段性成果（2019J0820）

摘　　要：文本之间的借鉴、转换和重构构成了文本与文本之间的互文关系。王尔德的《道连·格雷的画像》与爱伦·坡的短篇小说《威廉·威尔逊》在写作手法、内容、主题和人物塑造等方面都存在明显的互文关系。在唯美主义运动中,爱伦·坡是早期先驱,而王尔德却是最后的集大成者。但在“艺术无所谓道德与不道德”的唯美主义美学中,两人却都创作了以罪恶和毁灭为主题的小说作品,这彰显了两位唯美主义者在潜意识中对唯美主义运动所做的反思和修正。The reference,transformation and reconstruction between texts constitute their intertextual relationship.In Wilde’s The Picture of Dorian Gray and Poe’s“William Wilson”,one can find explicit intertextuality in writing technique,plot,theme,and characterization.In the Aesthetic Movement,Edgar Allan Poe was its forerunner while Wilde the final master.However,under the aesthetic principle of“art for art’s sake”,they both created works with the themes of sin and destruction,exemplifying the reflection and revision of the Aestheticism made by the two aesthetes in their subconscious.

关 键 词：《道连·格雷的画像》 《威廉·威尔逊》 互文性 唯美主义 

分 类 号：I561.074[文学—其他各国文学]