文学记忆与时代精神的碰撞——福克纳与大江健三郎互文性创作的比较研究  

The Collision of Memory of Literature and Spirit of Times:A Comparative Study of Faulkner’s and Kenzaburo Oe’s Works of Intertextuality

作　　者：靳丛林[1] 姜文莉[2] JIN Cong-lin;JIANG Wen-li(College of the Humanities,Jilin University,Changchun 130012,China;School of Foreign Languages,Shenyang Normal University,Shenyang 110034,China)

机构地区：[1]吉林大学文学院,吉林长春130012 [2]沈阳师范大学外国语学院,辽宁沈阳110034

出　　处：《东北师大学报（哲学社会科学版）》2020年第2期69-76,共8页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：国家社会科学基金项目（18CZW046）

摘　　要：福克纳与大江健三郎都在与自我和他者的互文中获得灵感,创作出救赎人类灵魂的作品。在两位作家各自互文性的书写中,家宅空间意象的构建与蛛网式作品群内人物的穿梭与再现,使作品内涵与文学传统得以传承;与宗教经典《圣经》的对话中,折射出他们的拯救意识。比较两位作家具有互文性的创作,深入挖掘他们作品中相似的叙事策略下潜藏的不同的历史、文化与政治意蕴,能够为解读大江健三郎迷宫式的作品提供一定的参考。Both Faulkner and Kenzaburo Oe are inspired by the intertextuality between works of their own and others,creating works to redeem the human soul.The construction of the spatial image of houses and reappearance of the characters in the cobweb-like works of the two writers in their intertextual writings enable the connotation and the literary tradition of the works to be inherited,while the intertextuality between their works and the Bible reflects their consciousness of salvation.By comparing the works of the two writers,this paper explores the different historical,cultural and political implications underlying the similar narrative strategies in their works,and provides some reference for the interpretation of Kenzaburo Oe's works.

关 键 词：互文性 空间意象 人物再现 时代精神 拯救意识 

分 类 号：I106.4[文学—世界文学]